BTS World Tour ‘Arirang’ to hit Indian theatres as PVR INOX announces exclusive screenings; deets inside

Continuing its commitment to bringing the world’s most iconic cultural moments to the big screen, PVR INOX Limited, India’s leading multiplex chain, announced the exclusive screening of the BTS World Tour ‘Arirang’. The cinematic event will feature live viewings and select re-broadcasts of the global icons' performances from Goyang on April 11 and Tokyo on April 18, 2026.

The release of ‘Arirang’ follows a series of highly successful and sold-out K-pop screenings at PVR INOX, including ‘Yet to Come in Cinemas,’ ‘Burn the Stage,’ and the 2025 HYBE Cine Fest. PVR INOX has consistently witnessed strong nationwide demand, often leading to additional shows and screens being added across cities. By securing the license for this tour, PVR INOX reinforces its position as the premier destination for experiential entertainment and youth culture in India.

The screenings will be hosted across an expansive network of 20+ cities including Delhi, Mumbai, Bengaluru, Kolkata, Gurugram, Pune, Ahmedabad, and Guwahati, catering to the immense demand from the Indian BTS ARMY.

Commenting on the announcement, Mr. Aamer Bijli, Lead Specialist – Innovation, Film Marketing, and Digital Programming, PVR INOX Limited, said, “At PVR INOX, we are constantly pushing the boundaries of what the cinema experience can be. BTS is more than just a musical act; they are a global phenomenon that resonates deeply with Gen Z and millennial audiences. By bringing the ‘Arirang’ tour to our screens, we are providing a communal space for fans to celebrate their idols with the best-in-class sound and visual technology that only a theatre can provide. We are also seeing a strong shift towards experiential cinema, where audiences are seeking immersive, shared experiences beyond traditional film viewing.”

PVR INOX has observed a significant shift in consumer behavior regarding concert films. Previous BTS screenings have seen nationwide sell-outs, leading to the addition of extra screens to accommodate the passionate fandom. There is also a notable rise in group bookings and fandom-driven participation, with audiences particularly Gen Z, urban professionals, and K-pop enthusiasts actively seeking communal viewing experiences. Screening Schedule & Locations:

April 11, 2026: Live from Goyang April 18, 2026: Live from Tokyo

Participating Cities: Delhi, Gurgaon, Faridabad, Chandigarh, Mohali, Dehradun, Bengaluru, Bhubaneswar, Lucknow, Ahmedabad, Vadodara, Surat, Mumbai, Pune, Nasik (Nashik), Ludhiana, Jalandhar, Ranchi, Indore, Kolkata, Jaipur, Udaipur, Raipur, Patna, and Guwahati.

Also Read: BTS announces new album release on March 20, confirms world tour plans; details inside!

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Dhurandhar The Revenge faces copyright suit over alleged unauthorised use of ‘Rang De Lal’

Production banner Trimurti Films has filed a lawsuit against filmmaker Aditya Dhar’s company B62 Studios, alleging unauthorised use of the song ‘Rang De Lal’ in the film Dhurandhar The Revenge. The dispute relates to the rights to the track, which originally appeared in the 1989 film Tridev. The song was co-composed by Anand–Milind, written by Sameer Anjaan, and sung by Amit Kumar and Sapna Mukherjee.

What the lawsuit alleges According to sources familiar with the matter, Trimurti Films has claimed ownership or control over the relevant rights connected to the musical work and sound recording of ‘Rang De Lal’. The company has alleged that the song, or a version substantially similar to it, was used in the film without obtaining the necessary permissions.

The suit states that such use amounts to copyright infringement, including unauthorised reproduction and communication of the work to the public.

Trimurti Films has sought an injunction to restrain further use of the song, along with damages and related reliefs. The production house has also raised concerns about the commercial exploitation of the track through theatrical screenings, streaming platforms and promotional material linked to the film.

Dhurandhar The Revenge is a 2026 Hindi-language spy action thriller directed by Aditya Dhar. The film is produced by Jio Studios and B62 Studios and serves as the sequel to Dhurandhar (2025).

The sequel was released on March 19, and has remained in the spotlight due to its strong box office performance as well as multiple legal developments related to the film.

Also Read: Dhurandhar Row: Bombay High Court restrains plagiarism accuser; relief for director Aditya Dhar

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Kartik Aaryan takes legal route to protect his identity, flags online misuse

Actor Kartik Aaryan has approached the Bombay High Court, alleging unauthorised commercial use of his personality across multiple online platforms, in a move that underscores growing concerns over digital misuse of celebrity identities.

According to reports, the actor has filed an intellectual property (IP) suit seeking protection of his name, image, likeness, and other identifiable attributes, which he claims are being used without consent. The plea targets several online platforms as well as unidentified individuals, often referred to as “John Doe” parties, accused of exploiting his persona for commercial gain.

In his petition, Kartik has sought a permanent injunction to restrain entities from using his identity in advertisements, merchandise, or digital content. He has also urged the court to direct platforms to take down such material and disclose details of those responsible. The actor’s legal team has argued that the misuse extends to emerging digital formats, including manipulated content and AI-generated material, raising concerns around privacy and publicity rights in an increasingly tech-driven ecosystem. The plea stresses that such unauthorised usage not only violates his rights but also risks misleading the public.

The case is expected to be heard shortly, with Kartik seeking urgent relief to prevent further exploitation of his personality. This development comes amid a broader trend of celebrities moving court to safeguard their personality rights against misuse on social media and e-commerce platforms. Courts in India have, in recent months, taken note of such concerns, particularly in cases involving deepfakes, fake endorsements, and unauthorised digital reproductions.

Also Read: Kartik Aaryan brings home Mercedes-Benz V-Class worth up to Rs 1.7 crore

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Salman Khan moves NCDRC after Jaipur consumer court issues bailable warrants in Rajshree Elaichi ad case

Actor Salman Khan has approached the National Consumer Disputes Redressal Commission (NCDRC), alleging that the Jaipur District Consumer Commission acted unfairly in proceedings related to a complaint over his endorsement of “Rajshree Elaichi.”

The development comes after the district commission issued bailable warrants against Khan for allegedly failing to comply with its earlier direction to stop misleading advertisements connected to the product. Salman Khan claims orders were not served to him Appearing for the actor, Senior Advocate Ravi Prakash argued before the NCDRC that certified copies of the district commission’s orders were not provided to Khan, even though those same orders were already circulating in media reports. According to the plea, coercive steps were taken against the actor despite him not receiving official copies of the orders.

The petition also stated that the interim order passed earlier in the case “was not in the knowledge of the petitioner and never served,” adding that penal proceedings under Section 72 of the Consumer Protection Act, 2019 should not have been initiated without proper service. Case relates to complaint over Rajshree Elaichi advertisement The matter stems from a complaint filed in December 2025 by advocate Yogendra Singh Badiyal before the Jaipur District Consumer Commission against Rajshree Pan Masala and Salman Khan, who was named as Opposite Party No. 2 in his role as brand ambassador. The complaint alleged that advertisements for “Rajshree Elaichi” were effectively surrogate promotions for pan masala and amounted to misleading advertising under the Consumer Protection Act.

On January 6, 2026, the district commission passed an interim order directing the respondents to refrain from misleading advertisements until they filed their reply. According to Khan’s plea, this order was passed ex parte and without prior notice to him. Bailable warrants issued in contempt proceedings The complainant later alleged that the interim order had been violated after a hoarding featuring Salman Khan appeared in public, following which a contempt application was filed under Section 72 of the Act. On January 15, 2026, the district commission issued bailable warrants against Khan in connection with the contempt proceedings. The actor challenged this decision before the Rajasthan State Consumer Disputes Redressal Commission, but the State Commission dismissed his appeal on March 16, 2026 and upheld the district commission’s order. Actor raises concern over direction to form Special Task Force During the hearing before the NCDRC, Khan’s counsel also argued that after issuing bailable warrants, the district commission directed the formation of a Special Task Force to secure the actor’s presence. According to the plea, such directions were unusual in consumer proceedings and reflected a disproportionate approach.

The NCDRC took note of concerns raised about certified copies of orders not being provided to the parties while appearing in media reports. At the same time, the Commission observed that its jurisdiction remains defined by statute and cannot extend beyond the framework of the law.

Also Read: SCOOP: Salman Khan’s Maatrubhumi misses May window; June release on the cards 

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Kartik Aaryan brings home Mercedes-Benz V-Class worth up to Rs 1.7 crore

Actor Kartik Aaryan has added the Mercedes-Benz V-Class to his growing collection of premium vehicles, bringing a new level of comfort-focused practicality to a garage that already includes several performance-oriented and luxury models.

Interestingly, film producer Boney Kapoor also recently brought home the same luxury MPV, highlighting its rising popularity among film industry personalities who prefer spacious, chauffeur-driven vehicles for daily travel.

Kartik Aaryan’s existing car collection already reflects a strong preference for high-performance and premium vehicles. Among these is the McLaren GT, known for its speed and touring capability, the Lamborghini Urus, along with the Range Rover, BMW 5 Series and Mini Cooper.

With the addition of the Mercedes-Benz V-Class, the actor’s garage now includes a vehicle designed primarily for comfort, space and convenience. The move brings balance to his collection by complementing performance-focused machines with a practical luxury people mover suited for everyday city movement and professional commitments. Why the Mercedes-Benz V-Class is a celebrity favourite The Mercedes-Benz V-Class is widely known for its spacious cabin layout and executive-style seating configuration, especially suited for those who prefer chauffeur-driven travel. The six-seater arrangement with captain seats, ambient lighting and advanced suspension enhances long-distance comfort and privacy.

In India, the luxury MPV is typically priced between Rs 1.4 crore and Rs 1.7 crore, depending on the variant and features.

Speaking of the professional front, Kartik has an exciting line-up with multiple films in his pipeline, including NaagZilla and an untitled Anurag Basu directorial musical.

Also Read: Boney Kapoor adds Mercedes-Benz V-Class worth up to Rs 1.7 crore to his garage

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REVEALED: Nearly 2 years after Heeramandi, Manisha Koirala signs Arbaaz Khan’s Raazdar

2 years ago, Manisha Koirala made her grand debut in the OTT space with Heeramandi. She was seen as Mallikajaan in the Sanjay Leela Bhansali-directed Netflix original, and it earned her numerous accolades. The period grand show will complete 2 years on May 1 this year. A few months before the anniversary, the veteran, talented actress began working on her next film, titled Raazdar.

A source told Bollywood Hungama, “Manisha Koirala’s stint in Heeramandi was quite loved and she was flooded with offers. However, the actress was clear that she wanted to only take up author-backed roles and work with like-minded people. She was in advanced talks for a film featuring a young actor, but it didn’t materialize; the film was also shelved later. Meanwhile, Raazdar came her way and it ticked all the boxes for her. That’s how she signed the film.”

According to Box Office Worldwide, Raazdar went on the floors earlier this year. The film's team completed a 25-day shooting schedule in Bhopal, Madhya Pradesh and then shot in Mumbai for 10 days. The article further mentioned that the film stars Arbaaz Khan and Bhuvan Arora of Farzi fame. Arbaaz is also producing the film under his banner, Arbaaz Khan Production.

In an interview with Hindustan Times, Bhuvan Arora confirmed that he shot for Raazdar. The actor is soon going to be a father and while speaking about it, he revealed, “I was working with Arbaaz Khan (in Raazdar), and he also guided me on how to make it easier for the mother, which is the top priority.”

Interestingly, this is not the first time that Manisha Koirala and Arbaaz Khan will share screen space. They were earlier seen in the historical epic Taj Mahal: An Eternal Love Story (2005). In this film, while Arbaaz essayed the role of Aurangzeb, Manisha was seen as Aurangzeb’s sister Jahan Ara.

Raazdar is the seventh film to be produced under Arbaaz Khan Production. The other films made by this banner are Dabangg (2010), Dabangg 2 (2012), Dolly Ki Doli (2015), Dabangg 3 (2019), Patna Shuklla (2024) and Bandaa Singh Chaudhary (2024). Arbaaz also served as the executive producer on the Prime Video documentary, Angry Young Men (2025).

Also Read: “You sculpt feelings”: Manisha Koirala pens heartfelt tribute to Sanjay Leela Bhansali on his birthday

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Boney Kapoor adds Mercedes-Benz V-Class worth up to Rs 1.7 crore to his garage

Film producer Boney Kapoor has expanded his garage with the addition of a premium new vehicle, the Mercedes-Benz V-Class, a model widely known for its emphasis on comfort, space and chauffeur-driven luxury. The acquisition reflects a growing preference among film personalities for high-end multi-purpose vehicles designed to double as mobile work and relaxation spaces.

A luxury MPV designed for comfort and privacy The Mercedes-Benz V-Class is often described as a private lounge on wheels because of its spacious cabin layout and executive-focused interiors. It is especially popular among celebrities and business leaders who rely on chauffeur-driven travel and require both comfort and discretion during commutes.

In India, the vehicle is available in multiple variants, with prices typically ranging between Rs 1.4 crore and Rs 1.7 crore depending on specifications and customization options. Premium interiors with executive seating One of the defining highlights of the V-Class is its six-seater configuration featuring captain seats in the rear. These seats are designed for long-distance comfort and provide a business-class style travel experience.

The vehicle also includes ambient lighting, advanced suspension tuned for smoother rides and a high-end infotainment system that enhances in-car convenience. Together, these features position the V-Class as a preferred choice for buyers seeking a balance between practicality and luxury. A growing celebrity favourite in Bollywood The Mercedes-Benz V-Class has steadily become a common presence in celebrity garages due to its generous cabin space and privacy-focused layout. For film industry professionals who often travel between studios, meetings and events across the city, the vehicle offers both functionality and prestige.

With this addition, Boney Kapoor joins a long list of prominent personalities who have opted for luxury MPVs as part of their everyday travel setup.

Also Read: Jisshu Sengupta, Karishma Tanna starrer Mom 2 goes on floors at Yamuna Expressway Film City; Boney Kapoor shares details

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