Sunday, 13 September 2026

Sayani Gupta’s Aasmani cleared of copyright infringement allegations by SWA

Sayani Gupta’s directorial debut Aasmani has been cleared of copyright infringement allegations by the Screenwriters Association’s (SWA) Dispute Settlement Committee (DSC). The complaint had been filed against Gupta and editor Paramita Ghosh, alleging similarities between the short film Aasmani and Prabha, an unfinished documentary.

After examining the submissions from both sides and carrying out independent expert comparisons, the DSC observed that the two works shared only an underlying idea. According to the committee, the storytelling, character development, conflict and overall story arc were different in the two works.

The DSC further noted that copyright law protects the expression of an idea rather than the idea itself. It also took into account that the complainant’s work is a documentary based on the publicly known life of a real person.

The committee also referred to a separate defamation suit filed by Gupta against the complainant. The court has reportedly passed an order favourable to Gupta in that matter. Since certain issues involved in the defamation proceedings overlap with those raised in the DSC complaint, the matter is now sub judice, which prevents the DSC from proceeding with further adjudication.

Accordingly, the SWA proceedings have been concluded and the complaint has been closed at its end, without prejudice to the legal rights and remedies available to either party.

The development comes as Aasmani continues its international festival journey. The copyright complaint had emerged during the film’s festival run, and the closure of the proceedings brings the dispute before the SWA to an end.

Reacting to the development, Gupta said, “As I had said earlier, truth will always prevail. I had respected the process and grateful that the truth has come out. It always does. This has been the most harrowing experience of my life. But as my grandmother would often quote Tagore and say 'tomar potaka jaare dao, bohibare dao shokoti'.. ‘whoever you give your flag to bear, you also give them the strength to bear it.’”

Also Read : Sayani Gupta gets interim relief in defamation case over copyright dispute around Aasmani



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IMPPA issues clarification over ‘incorrect’ interpretation of Bombay High Court order

The Indian Motion Picture Producers’ Association (IMPPA) has issued a clarification regarding what it described as incorrect interpretations of a recent order passed by the Bombay High Court in connection with a dispute between Saffron Magicworks Private Limited (owned by Nikhil Dwivedi) and Andolan Films Private Limited (owned by Vikramaditya Motwane). IMPPA has also been impleaded in the proceedings.

According to the association, certain communications and news reports currently in circulation have presented an inaccurate understanding of the scope and effect of the High Court’s order. IMPPA stated that its involvement in the matter was limited to carrying out its institutional responsibilities under its Memorandum and Articles of Association.

The association explained that the dispute between Saffron Magicworks Private Limited and Andolan Films Private Limited had been placed before IMPPA’s Dispute Resolution Committee. Any determination or direction issued by the committee, it clarified, was related to the parties involved in the dispute and the specific issues that had been brought before it.

IMPPA further stressed that it has no independent commercial claim or interest in the underlying dispute between the two companies. The association also urged that the High Court’s order should be understood strictly on the basis of its express terms.

Addressing reports suggesting restrictions on its functioning, IMPPA clarified, “No blanket restraining order has been passed against IMPPA restraining the discharge of its institutional functions.” The association said that some reports presently being circulated do not accurately reflect the order’s scope or its implications for IMPPA.

IMPPA also stated that it does not accept any characterization of the court order that goes beyond what has been expressly stated by the High Court. The association maintained that it will continue to carry out its responsibilities in accordance with applicable law, its governing framework and the directions issued by the court.

The clarification comes amid reports and communications surrounding the legal dispute involving Saffron Magicworks and Andolan Films. Through its statement, IMPPA has sought to distinguish its institutional role from the commercial dispute between the two parties and clarify the extent of the court’s directions concerning the association.

Also Read : BREAKING: Nikhil Dwivedi’s Saffron Magicworks secures a Bombay High Court restraining order against IMPPA



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Saturday, 12 September 2026

EXCLUSIVE: Legendary cinematographer Ashok Mehta’s life and legacy to be chronicled in Amit Ashar’s coffee table book

Ace still photographer Amit Ashar is working on a book on the life and legacy of legendary cinematographer Ashok Mehta, Bollywood Hungama has exclusively learned. The coffee table book traces Mehta’s filmmaking journey and his phenomenal career through a remarkable collection of photographs captured by Ashar over the span of more than three decades.

Set to release in late 2026, the book features exclusive, unseen photographs, complemented by personal write-ups from some of Indian cinema's most respected filmmakers and celebrities Mehta has closely worked with. Together, the visuals and words aim to celebrate Mehta’s enduring influence on Indian cinematography and the legacy he has left along.

Mehta started off as a runway hooker and ended up as a National Award-winning cinematographer. He was one of the highest-paid technicians of his generation and worked with both art-house and mainstream commercial filmmakers, leaving a distinct visual signature on every project he touched. His most-acclaimed work credit includes Aparna Sen’s 36 Chowringhee Lane (1981), Shyam Benegal’s Mandi (1983), Gulzar’s Ijaazat (1987), Girish Karnad’s Utsav (1984), Subhash Ghai’s Ram Lakhan (1989), and Shekhar Kapur’s Bandit Queen (1994), among others.

Amit Ashar has been developing this book for a year now. He considers it a deeply personal tribute, as Mehta has been his mentor, leading light, and close friend. Over a span of 30 years, he captured rare, intimate, and behind-the-scenes photographs of the cinematographer working on various film sets. His forthcoming book is being defined as an extensive archive that brings together both iconic and lesser-seen moments from his journey.

Also Read: Divyenndu reveals his Instagram and Twitter accounts were created by Shraddha Kapoor and Anupam Kher



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BREAKING: Daayra marks Kareena Kapoor Khan’s TENTH film to receive ‘A’ rating from CBFC; Kunal Kemmu’s Vibe also gets adult certificate

It’s the year of adult films, it seems. After Dhurandhar The Revenge, Mirzapur, Cocktail 2, Batwara 1947, O'Romeo, Assi, Bandar etc. the two big Hindi releases next week have also received an ‘A’ rating from the Central Board of Film Certification (CBFC).

Daayra, starring Kareena Kapoor Khan and Prithviraj Sukumaran, was passed today, that is, September 11, by the CBFC, with an ‘A’ rating. The length of the film, as per the censor certificate, is 143,16 minutes. In other words, Daayra is 2 hours, 23 minutes and 16 seconds long. The investigative thriller is directed by Meghna Gulzar.

Daayra marks Kareena Kapoor Khan's tenth film that will be for adults only. The other 9 films were Ajnabee (2001), Chameli (2003), Dev (2004), Omkara (2006), Kurbaan (2009), Heroine (2012), Udta Punjab (2016), Veere Di Wedding (2018) and The Buckingham Murders (2024).

Meanwhile, Vibe was also passed by the CBFC today. The comic caper also received an ‘adults only’ rating from the Censor Board. According to the CBFC website, Vibe's length is 145.55 minutes, or 2 hours, 25 minutes and 55 seconds.

Vibe stars Kunal Kemmu, who is also the film’s director. Besides Kunal, the film stars Preity G Zinta, Sparsh Shrivastava, Vanshika Dhir, Dinesh Lal Yadav aka Nirahua and Yashpal Sharma. Vibe is the second film of Preity G Zinta after her comeback. Her previous film, Batwara 1947, was released last month and also received an ‘A’ rating.

An industry insider commented, “Daayra’s ‘A’ rating is understandable as the film deals with a theme that is suitable for adult and mature audiences. However, Vibe looks like a fun entertainer that can be enjoyed by adults as well as kids and teens. It seems to be in the zone of Kunal Kemmu’s previous directorial, Madgaon Express (2024), which had received a U/A rating. Hence, its adult certification will come as a surprise for many.”

Both Daayra and Vibe will release in cinemas on September 18.

Also Read: Preity Zinta reveals why she avoids watching her own films; says, “I feel very awkward”



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Ameesha Patel’s parents’ Mumbai home robbed, jewellery worth Rs 5 lakh reportedly stolen

Ameesha Patel’s parents’ residence in Mumbai’s Churchgate area was allegedly targeted in a jewellery theft, with valuables worth around Rs 5 lakh reported missing. Mumbai Police have arrested a 40-year-old domestic worker in connection with the case following a complaint filed by the actress’s mother, Asha Patel.

According to IANS, the accused has been identified as 40-year-old Seema Ghate, a resident of Palghar. Ghate had reportedly been working as a domestic helper at the residence of Ameesha’s mother, Asha Patel, for around one and a half years.

The alleged theft came to light after Asha Patel approached the Marine Drive police and filed a complaint. According to the police, a bangle was allegedly stolen from the residence in January 2026. Asha reportedly suspected Ghate of being involved in the incident and had allegedly been asking her for around five to six months to admit to the crime and return the jewellery.

However, the bangle was allegedly not returned, following which Asha Patel decided to approach the police. The Marine Drive police initially registered a case against an unidentified woman under Section 306 of the Bharatiya Nyaya Sanhita (BNS).

As part of the investigation, a crime detection team worked on the case and traced the accused to Virar. Ghate was subsequently detained and arrested by the police. She was produced before a court and has been remanded to police custody until September 15.

The investigation into the alleged theft is currently underway. Police are attempting to recover the missing jewellery, while the bangle reportedly remains unrecovered. Authorities are also checking whether Ghate has any previous criminal record.

Meanwhile, Ameesha Patel has been associated with Bollywood for more than two decades. She made her acting debut in 2000 with Kaho Naa... Pyaar Hai, which went on to become a commercial success. She later appeared in films including Gadar: Ek Prem Katha, Humraaz, Honeymoon Travels Pvt. Ltd., Bhool Bhulaiyaa and Race 2.

In 2023, Ameesha reprised her role in Gadar 2, which became her highest-grossing release. She was last seen in Tauba Tera Jalwa, directed by Akashaditya Lama, which released in 2024.

Also Read : Ameesha Patel shuts down Hardik Pandya romance speculation with sarcastic reply to X user: ” I don’t know u but surely u don’t have a girl even as a friend”



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Friday, 11 September 2026

Triptii Dimri joins Peep Beauty as investor and co-creator

Triptii Dimri has joined D2C eye-focused beauty brand Peep Beauty as an investor and co-creator. The startup is looking to build a beauty category centred on coloured contact lenses and eye makeup.

According to a statement shared by the company, Dimri has been associated with Peep Beauty from its early stages. As part of her role, she has contributed to the brand’s creative direction, product discussions and storytelling. Her involvement extends beyond her investment, with the actor also participating in conversations around the brand’s overall vision and positioning.

Dimri’s investment comes as part of Peep Beauty’s pre-seed funding round of Rs. 12 crores ($1.2 million). The round was led by Sadev Ventures, with participation from iSeed, ISV and TDV.

The partnership is also built around the idea of creating a beauty brand that places greater focus on the Indian eye. Peep Beauty aims to position coloured contact lenses as part of the broader beauty and self-expression space rather than limiting them to a functional or medical category.

Talking about her association with the brand, Triptii Dimri, Investor & Co-Creator, Peep Beauty, said, “The first thing that struck me about Peep Beauty was that it wasn’t just creating a product; it was creating an entirely new way of thinking about beauty. The eye is one of the most expressive parts of who we are, yet coloured lenses have always been spoken about as a functional or medical category. Peep Beauty changes that conversation. Being part of building a brand from the ground up, contributing creatively, and helping shape its vision made this partnership incredibly exciting for me.”

With Dimri coming on board as an investor and co-creator, Peep Beauty is set to develop its presence in the eye-focused beauty segment while working on products and storytelling aimed at Indian consumers.

Also Read : Triptii Dimri plays ‘Sexy Or Skip It’ for Victoria’s Secret; actress reveals what she finds ‘definitely sexy’



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Bipasha Basu seeks Tukaram Mundhe’s help after she finds worms in protein powder: “You are our only hope”

Actor Bipasha Basu has raised concerns about an alleged contamination issue involving a jar of Isopure protein powder. On Thursday, the actor took to Instagram Stories to share a video in which she claimed to have found tiny worms inside a freshly opened jar of the product.

In the video, Bipasha showed what appeared to be a small worm on her finger and claimed that there were several others inside the container. “This Isopure is full of small worms. Tiny, tiny worms. The new dabba that we’ve opened,” she said while showing the contents. “These are the worms inside it, full of it,” Bipasha further alleged.

The actor also tagged Tukaram Mundhe, Commissioner of Maharashtra's Food and Drug Administration (FDA), seeking his intervention over the alleged issue. In her Instagram Story, she wrote, “@tukaram ias You are our only hope .. So we don't get spoilt or adulterated stuff in everything we purchase.”

Bipasha's post comes amid increased attention around food safety and hygiene concerns involving products and establishments in Maharashtra. However, the actor's allegation regarding the protein powder has not been independently verified.

The incident also comes shortly after Bipasha made headlines for her digital cover appearance for Elle, where she spoke about her work, motherhood and making bold choices despite being advised against them. Her latest Instagram post, however, focused on a consumer concern rather than her professional projects. Tukaram Mundhe's Food Safety Crackdown Bipasha's decision to tag Tukaram Mundhe comes against the backdrop of the FDA official's reputation for strict enforcement of food safety and hygiene standards in Maharashtra. Mundhe has recently been associated with inspections and action concerning food safety and hygiene across restaurants and cafes in the state. His no-nonsense approach has also led to him being described as a "real-life Singham" on social media.

Recently, Salman Khan also made a playful reference to the FDA commissioner while sharing a video from a friend's newly opened Bandra cafe, The Tuck Shop at Savio's. Sharing the video, Salman wrote, “Refill my coffee ya please. Price mat badhana, quality maintain karna. Hygiene maintained, or I will send HIM and it's done, sis.”

While Salman did not explicitly name Mundhe, his reference to sending “HIM” was widely understood as a nod to the commissioner and his reputation for strict action over food safety and hygiene.

Bipasha's latest post now puts the spotlight on an alleged contamination issue involving a packaged protein product. Any official response or action from the Maharashtra FDA regarding her complaint remains awaited.

Also Read: Bipasha Basu recalls being different in Bollywood: “Women with more muscle tone were not very acceptable, I started the trend”



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